1. Action.
Everyone is doing something. Take Frank and Clare Underwood in House of Cards. They don’t just sit and talk. They share a cigarette. Their ‘secret’ habit. In a later season Frank takes up a new hobby of painting his little soldiers. What secret habits or little hobbies do your characters have?
2. Desire.
Everyone wants something. We want something in life and we want something now. What do your characters want?
a) In any specific moment.
b) In a specific scene.
c) In this story.
2. Power Play.
In this scene between Hannah and Dexter there is a constant battle for power.
Read an analysis of the scene here.
4. Subtext.
David Mamet often quotes the French writer Voltaire, saying, “words were invented to hide feelings”.
Mamet believes we speak to conceal ourselves, not reveal ourselves.
In her book To Be a Playwright Janet Nepris says it’s when characters can no longer keep inside what they truly feel that we reach the highest point of drama in a scene.
Until that point we speak to conceal the truth.
We conceal our secrets. We conceal our true desire.
Check out this post exploring how Woody Allen uses subtext to foreshadow the violent climax in the clever, Oscar nominated Match Point.
So, four things to remember as we work on our scenes: action, desire, power play and subtext.
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