Category Archives: #screenwriting

Why The Pitt deserves its Emmys

#ThePITT is a supreme example of how producers and execs can support the acting industry. Not only is it a massive ensemble piece with a huge team of series regular doctors, nurses and admin staff. It has a fast revolving door of brilliant roles for guest character actors, as well as supporting artists. Add that to crew, pre and post production staff, technical staff, ER and police advisors, incredible prosthetics and make-up, catering and every other dept. it needs to make this brilliant show, we have a 15 ep season that seems built to support the entire American #television industry. In the UK among shows that give so many opportunities to actors and production staff we tragically lost #Doctors, #TheBill and #HolbyCity, but thankfully still have #Casualty. Hats off to the creator R. Scott Gemmil, producer John Wells and actor/writer exec prod Noah Wyle for this fast moving conveyor belt of amazing opportunities for #actors. Thanks for supporting the #acting and #television industry.  Deserving of all the #Emmys.

Happy Valley S1E1: act length

If you watch my breakdown here, you will find the act lengths are:

Act 1: 0.00 – 24.32

Act 1 length: 24.32

Act 2: 24.32 – 32.02

Act 2 length: 7.30

Act 3: 32.02 – 41.08

Act 3 length: 9.06

Act 4: 41.08 – 44.56

Act 4 length: 3.48

Act 5: 44.56 – 57.44

Act 5 length: 12.48

This article explains how many scenes in each act are dedicated to each story thread: Trilogy, Season, Personal and Storyworld:

Happy Valley – a deep dive into structure

This exploration of the opening episode of Sally Wainwright’s award-winning crime drama trilogy Happy Valley reveals 4 story threads, a 5 act structure, multiple antagonists, blurred boundaries and how the structure follows the journey not of trilogy protagonist Catherine but of the season antagonist Kevin. Dive in and discover.

From this article:

“Time” by Jimmy McGovern – episode 1 structure

I asked chatgpt how does Jimmy McGovern structure episode 1 of Time. This was the response.

In Episode 1 of Time, Jimmy McGovern skillfully structures the episode to immerse viewers in the harsh, tense environment of a British prison while introducing the complex inner lives of the main characters. McGovern, known for his gritty, character-driven storytelling, uses a dual narrative approach to introduce the two main characters, Mark Cobden (played by Sean Bean) and Eric McNally (played by Stephen Graham), and to establish the emotional stakes that drive the story forward.

  1. Establishing Characters and Context: The episode opens with Mark, a former teacher, who is sentenced to four years for causing a fatal car accident. The narrative dives directly into his vulnerability and isolation as he enters prison, giving viewers a raw look at the fear and guilt he feels. In parallel, we meet Eric, a seasoned prison officer, whose moral integrity and deep care for the inmates contrasts sharply with the brutality of the prison environment.
  2. Conflict and High Stakes: McGovern quickly escalates tension by throwing Mark into confrontations with fellow inmates, exposing the brutal reality of prison life. He also creates immediate tension for Eric, who is forced into a moral dilemma when a gang threatens his family. This dual conflict (Mark’s survival and Eric’s integrity) drives the episode’s structure, balancing empathy and suspense.
  3. Developing Themes of Guilt and Redemption: Throughout the episode, McGovern interweaves themes of guilt, redemption, and justice, exploring these through the contrasting lives of Mark and Eric. Flashbacks and dialogue subtly reveal Mark’s remorse, highlighting his emotional journey, while Eric’s ethical struggles reveal his vulnerability, adding depth to the narrative.

By ending the episode on cliffhangers for both characters, McGovern effectively hooks viewers, leaving them invested in the fate of these two men whose lives are irrevocably intertwined within the brutal confines of prison.

MA Writing for Script & Screen: final project – reflective blog

Having analysed Happy Valley season 1 episode by episode, act by act, I decided to write my TV pilot in 5 act structure.

I am using the same colour code as I used in my HV analysis, with an extra colour as I am working with two protagonists (my first time attempting this).

I am certainly not expecting a perfect result from this first attempt at a TV pilot but hopefully something which I can continue to work on when the MA has finished and something which I can submit with an element of confidence that it will pass.

Here is the way I have colour coded the first act, inspired by my analysis of the structure of Happy Valley.

What about you? Are you colour-coding your outlines?

Happy Valley S1 E05 Act structure & story threads.

Having looked at the previous 4 episodes, we are now on to episode 5.

It is actually really interesting to see the colour codes change.

Whereas in episode 1, act 5 is colour-coded mostly blue – dealing with the A story (season) main plot, as we near the season finale of episode 6, act 5 of episode 5 is mostly red – dealing with the A story (trilogy).

So, as we near the end of season 1, writer Sally Wainwright is preparing the ground for the season trilogy.

Here are the 5 acts of episode 5.

Colour codes as follows:

Interesting to note that act 1 is completely focused on A story for the season – Ann’s kidnap plot.

Act 2 gives us mostly season plot scenes but 3 family scenes inserted as well.

In Act 3 we see the writer bring us back to the main plot of the trilogy with splashes of red mixed in with the blue (season plot) and green (family).

In Act 4 we start to see the trilogy become more pronounced with red trilogy scenes outweighing blue and green. There is also one scene which ties one of the season antagonists to the background issue of drugs (colour code: brown) from where Happy Valley gets its name.

Finally, to kick us into the finale that is going to be Episode 6, we have the last act of Episode 5, which, with the exception of the first scene, is completely focused on Catherine, Ryan and Tommy Lee Royce and the deceased Becky.

SPOILER ALERT

In scene 52 Catherine explains to her grandson Ryan that she is crying because she misses his mum – Becky – who committed suicide after being raped by Tommy Lee Royce. This storyline will play out over the next two seasons, culminating in Episode 6 of Season 3. And in a twist of genius, the final scene of season 3 pays off the opening scene of season 1, even though season 1 and season 3 were made 8 years apart.

If you have any interesting notes about Happy Valley please let me know on Twitter @screenwriteorg