A question I have for Christopher Vogler (The Writer’s Journey) is how can the Midpoint be the Supreme Ordeal, when the ordeal in the final battle is supremer. There is no such adjective as supremer.
Supreme reigns supreme.
The Supreme Ordeal, by very definition, is the most powerful ordeal of the story. It is the ordeal which causes the hero to change, to have a moral revelation (John Truby, Anatomy of Story – 22 Steps of a Master Storyteller) at which point the hero’s unconscious need is made conscious and the outward goal is achieved, or not, depending on the character arc of the hero.
I have always seen the outward goal being achieved in the Final Battle / Climax / Crisis in Act 3, where, according to John Truby, the hero has a moral revelation, the ‘need’ is made conscious, and the outward goal is achieved, or not.
I am still unconvinced that Hague’s 3 Act structure and Vogler’s 12 Step Hero’s Journey are concordant. Perhaps The Hero’s Journey only suits a certain kind of story – the mythic tale – and cannot / should not be forced into the 3 Act structure of other genres.
However, if we must cram it into 3 acts, I prefer to see the Hero’s Journey like this:
Call to Adventure
Refusal of the Call
Meeting the Mentor
Crossing the Threshold
Tests, Allies and Enemies.
Approach to the Inmost Cave
Return with the Elixir
The 4 R’s of the last phase of The Hero’s Journey: Reward / Road Back / Resurrection / Return are interconnected, almost flowing into one scene / experience for the hero.
The Reward is the elixir, the Road Back is literally, the road back home, the Resurrection is arrival in the ordinary world, and Return with the Elixir is making lessons learned known to loved ones, society and the wider world. A good example of this is 127 Hours (screenplay by Danny Boyle & Simon Beaufoy).
In 127 Hours, Aaron Ralston has his Supreme Ordeal, where he cuts his arm off, 15 minutes before the end of the film. See 3 Act Structure in 127 Hours. The final 15 minutes (Act 3) are the Reward (he is alive) The Road Back (receiving help from passers by) Resurrection (moral revelation / need made conscious – he needs other people) and finally Return with the Elixir (he writes his book ‘Between a Rock and a Hard Place’ and helps Simon Beaufoy and Danny Boyle write the screenplay for the movie of his life.)
In the audio book by Hague and Vogler Hero’s Two Journeys Vogler sees the Resurrection phase of the hero’s journey as the Final Battle / Climax – an even more supreme ordeal than The Supreme Ordeal.
But this is impossible. There is no such word as supremer. There is no superlative. Supreme is the superlative.
“If something is supreme, it is more powerful than anything else.”
Supreme is superlative. There is not a stronger adjective. It is already the strongest it can be. Words are all we have as writers. So why call the midpoint the ‘supreme’ ordeal when there is an even stronger ordeal ahead in the Climax?
The Supreme Ordeal, is not only the greatest, utmost, extreme ordeal, it is the last, final and ultimate. There is no more powerful ordeal than The Supreme Ordeal. Therefore, if The Supreme Ordeal is the most powerful ordeal for the hero, it must occur in the Climax, in the Final Battle – and not at the midpoint. It must occur where it has the power to affect the most change in the hero. In 127 Hours, it’s where Aaron cuts his arm off. In Gladiator, it is in the arena fighting the tigers. In Thelma and Louise, (interestingly, both Hague and Yorke use Thelma and Louise as an example) The Supreme Ordeal is surely the decision they make to drive over the cliff. Sure, the midpoint was an ordeal, they held up the gas station, and as Hague says, it is the Point Of No Return – there is no going back from that, they cannot undo what they did – but doesn’t deciding to take their own lives have more of an effect on their lives? Of course it does, it takes their lives. Holding up the gas station makes them felons. They can go to prison for a very long time. But their decision to take their own lives kills them. It has a more powerful effect on them. It kills them. So it must be the Supreme Ordeal. If so, the Supreme Ordeal, in Thelma and Louise, is not the midpoint, it is the Climax.
In conclusion, I would argue that every story / movie / TV drama has a stronger Climax than the Midpoint. Therefore, I see the Supreme Ordeal as in Act 3 and not at the midpoint.
However, I am wrong 99% of the time. So I’ll leave it with you to decide.